![]() In Ableton I know about 3-4 keyboard short cuts. The things that matter are your sound selections, hooks and music riffs, mixing, arrangement.Īll basic stuff that's existed far far longer than music software.Īnd because it's the MUSIC that makes a track, I focus on that - NOT learning every single feature in Ableton Live or Maschine. If you're in the right camp, then don't switch.īecause at the end of the day people are making hits on all the different platforms and again it's not software that will make or break a record. You have the more mixing focused ones (Protools, Logic, Cubase etc) or you have the more creative/instrument centered DAWS likeĪbleton, Fruity Loops, Reason.if you're real old school Acid Loops and ReBirth (Reason's predecessor) IF you are on a DAW and it feels kinda rigid and not as creative as you'd like then maybe look to Ableton, Fruity Loops, or Reason.Īt the end of the day DAWs/ or music production software programs fall into 2 camps. Remember I don't need all the functionality that someone who records and mixes bands would. ![]() So I'm not leaving anytime soon because it's good enough for that and other things. I mainly use Ableton Live to arrange and mix. If you need something to Jam then perhaps look at Ableton. If you mainly use a DAW to mix and arrange then stick to that DAW. There are times when I feel like doing something new.but it's better for me to channel that into learning my existing stuff more deeply. So I stick with Maschine for dance music production. So it makes sense for me to work that way. My point is that producing from a keyboard is not the way to go for me. I do that with Native Instruments Maschine. I still love the idea of crate digging, sampling sounds and making beats. My point is that a couple years later I dabbled with an Akai MPC 2000. Sure theory helps, because you can add in notes that are not typical, or voice chords differently but today you can play triads, 7ths.all with the push of a button without having to worry about hitting the wrong note. This was before you could quantize notes as you were playing so inputting music with a keyboard was a tad harder.Īnd if you wanted to play chords, you had to know some scales and theory, unlike today. I've dabbled a bit, but I'm not really passionate about it. I did get a lot of use out of it.but it wasn't the best fit because I just didn't have enough experience to know better when I originally bought it. This was the bomb back in the day, however it was more for pop, hip hop, RnB, perhaps more mainstream dance. Here's an example of the opposite.īack when I first got into production I plunked down $2,000 for a near mint Korg Triton keyboard. It does sound nice, it's just that when I get to the point of fine tuning the arrangement of a track, then adding some automations and giving it that last bit of mixing polish.I just didn't know how to do that stuff in Mixbus.Īnd the time to learn something new didn't justify the perceived benefits. ![]() I liked that it's super-affordable, analog based, and has a limited set of features, so I pulled the trigger on a $39 sale of version 3.0.Īnd you know what happened, it's been collecting dust. Recently, I bought into the marketing from Harrison, about their DAW mixbus. If you have gotten to that point, ask yourself if a new DAW is what you really need right now to get to the next level. If you don't have any tracks out or signed you have bigger fish to fry than switching DAWs. I'm not saying don't ever make a switch, but do it with healthy skepticism and planning. Pick the DAW or music production software that's right for you and stick with it. When you know it's nothing more than that, you won't get distracted by marketing hype, or go down a costly road of frustration.īecause if you adopt a new technology, you have to learn it. Time that could be spent developing your music, your ear, your song structure, or mixing.Īt the end of the day, software will not make or break a record. They are true IF you learn them and put in the work. Let's just label these marketing half truths. The underlying message nearly 100% of the time is that if you adopt this software magical things will happen. I'm not faulting software companies, like any business they need to market their product. And when you fall into these mindsets, marketing hype from software companies starts resonating with you. Hitting a plateau, frustration, the idea that the grass is greener, the yearning for a new shiny object - these are NOT good reasons to switch but are distractions. Trust me, there's no good reason to switch DAWs or music production software programs. Don't switch DAWs for dance music production
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