In the early 1970s, Lee participated in several exhibitions that juxtaposed American, East Asian, and European artists to highlight their shared concern with materials, processes, and sites, including the Paris Biennial (1971), Japan: Tradition und Gegenwart at Kunsthalle Düsseldorf (1974), and Z.B. A prolific cultural critic, Lee published the first of several collections of writings in 1971. This show brought together artists henceforth identified with Mono-ha (School of Things), a derogatory title given by reviewers in response to the artists' arrangements of commonplace materials. In 1969 he participated in 9th Contemporary Art Exhibition of Japan with an ephemeral happening that departed from his earlier optical, discrete objects toward contingent structures. In 1968 Lee participated in the exhibition Contemporary Korean Painting at the National Museum of Modern Art in Tokyo with a triptych of spray-painted canvases in neon colors. ![]() He had his first solo show of paintings in 1967. In 1958 he moved to Tokyo, where he studied philosophy at Nihon University. Lee Ufan was born in Kyongsang-namdo, Korea, in 1936. In Relatum (1974), a long wooden beam is suspended above a steel plate by a thick length of rope in a seemingly precarious arrangement that captures the interconnectedness of various materials a defining principle of Mono-ha. Relatum (formerly Language, 1971) juxtaposes two diametrically opposite materials, pairing seven thick, soft cushions with large boulders. Relatum (formerly System, 1969), one of Lee's earliest Mono-ha sculptures, is composed of six steel plates that are bent at ninety-degree angles and positioned evocatively in relationship to the gallery's architecture. The exhibition at Dia:Beacon, resulting from close collaboration with the artist, will showcase Dia's 2017 acquisition of three sculptural works by Lee, Relatum (formerly System, 1969), Relatum (formerly Language, 1971), and Relatum (1974) - alongside several important loans. ![]() His use of "Relatum" can be compared to the frequent use of "untitled" by American Minimal artists. In 1972 he changed the titles of the works that he had made up to that point to Relatum, referring to a concept in Heideggerian philosophy, which conveyed the artist's interest in contingent circumstances. A pioneer of the Mono-ha movement in Japan, Lee Ufan developed a sculptural practice in the 1960s that explored the tension between natural and man-made materials and the dialogue between object and space.
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